• ABOUT
  • //Current
  • About
  • Contact
  • News ✔

• Personal
  • Recent works
  • Duplicity
  • Faces
  • Mouvement / in·ci·ta·tion
  • Ubiquity
  • Curses
  • Land/Shapes (gif)
  • Lenticular/Process
  • Sur/face
  • Over The Rainbow
  • Curiosity
  • Inter/Position
  • Ultraworld (gif)
  • Russian Ballet / Downfall
  • Revisited
  • Collage Serie I
  • Collage Serie II
  • Collage Serie III
  • Collage Serie IV
  • Collage Serie V
  • Travel book 017
  • Chimères
  • c/o Lost serie
  • Collage Serie III

• Commissioned
  • Brand eins
  • Rolling Stone
  • Time Magazine
  • Politico.EU
  • Harpers Magazine
  • The New York Times
  • Mother Jones
  • Wall Street Journal
  • Brand Eins Re/sorted
  • Pentagram
  • The New Yorker
  • UCSF
  • Washington Post
  • The Guardian
  • The Newstatesman
  • National Geographic
  • NYTimes Special
  • MIT
  • Le Monde Diplomatique
  • The Intercept
  • The Atlantic
  • Stern Magazine
  • Foreign Policy
  • Liberation
  • Politicio (US)
  • MIT Technology Review
  • The Economist
  • The New Republic
  • Figaro / Art de vivre
  • Zeit Magazin
  • La Repubblica
  • Vogue Italia
  • Barron's
  • Variety
  • Barron's Meta
  • Republik Magazin
  • Esquire
  • Wired Magazine
  • Fortune
  • Stylist
  • Vanity Fair
  • Topic
  • Die Zeit
  • Elle (US)
  • Various Covers
  • Allure US
  • Condé Nast
  • L'Obs

• Collaboration
  • Undercover / Jun Takahashi
  • Versus / Carl Craig
  • Changes / Officiel Mexico
  • F.A.I.L

• Time/walls
  • Blasts From The Past
  • Zadig / Random Stories
  • 1000 Little Rohtkos
  • Chahine & The 3 Babies
  • Arlequin / Jungle
  • Short/Cuts

• Exhibitions
  • Emop 2025 / Chaussee36
  • The Curve @Torstrasse
  • Gestalten. Berlin
  • The Age of collage. 2nd Edition
  • Position@MunichArtFair
  • pavlov's dog Gallerie
  • Feinkunst Krüger. Hamburg
  • NY Scope
  • SystM. Berlin

• Projects
  • Radio Cuts
  • J#cks#n P#ll#ck
  • A Call center Story
  • Not square / slaughterhouse
  • Below the threshold
  • Finland Thin Lines
  • Maiko Dance
  • Triptic
  • Cycles & structure
  • Quartet

• Sometimes I paint
  • Current
  • Internal levels
  • Spectres (2014-2016)
  • Sort of / Primitivism (2013)

• Words / Interviews
  • The Layered Self
  • Data-ism
  • Metal Magazine
  • Notes as a illustrator
  • Gestalten / Berlin
  • RE:ART I
  • RE:ART II
  • Statement
  • Nailed Magazine
  • Zebule Magazine (En/Fr)
  • Pavlovsdog Gallery
  • Cadavre exquis
  • A day unfolds
  • In the shadows
  • Random thoughts
  • HiFructose

• Books & Covers
  • The age of collage III
  • The age of collage I
  • The age of collage II
  • Alpha Decay (ES)
  • Le Nouvel Attila (FR)
  • Editions Odile Jacob (FR)
  • Mondadori IT
  • Gestalten DE
  • Datacide
  • Dea planeta libri (IT)
  • A Part Vol.1
  • Apart Publications
  • Henry Holt / Macmillan
  • Sterling Publishing (US)
  • Contemporary Portraits

• Tumblr
  • Tumblr

• Awards
  • Society for News Design
  • SND 40
  • SND 45
  • SPD Spread
  • AI36 – Selected Winner
  • AI38 -Selected Winner
  • AI39 – Selected Winner
  • SPD 58

• Shop
  • Original Artworks
  • About prints
  • Tees@Redbubble<

• Album Art
  • Venetian Snares - Your face
  • Carl Craig Versus II
  • Mask&Soul
  • Somatic Responses
  • Jessica93/Mistress Bomb H
  • Electric Kettle - News From Berlin
  • Agro ‎– Psycho Delic Acid

public float

// some transformation by water lens

I manage now to get the same result , by coding using Python & Perlin noise
Distorting Perlin noise can give a less uniform, more fluid feeling